Suzi Quatro moved to England in 1971, after being spotted by the record producer Mickie Most, who had by that time founded his own label, Rak Records. Most had been persuaded to see Cradle by Michael, the brother of the
Quatro sisters who had assumed a managerial role for the band. In common with many in the record industry at the time, Most was seeking a female rock singer who could fill the void that the death of Janis Joplin had created.
According to the Encyclopedia of Popular Music, his attention to Quatro was drawn by "her comeliness and skills as bass guitarist, singer and chief show-off in Cradle." She had also been attracting attention from Elektra Records
and subsequently explained that "According to the Elektra president, I could become the new Janis Joplin. Mickie Most offered to take me to England and make me the first Suzi Quatro – I didn't want to be the new anybody."
Most had no interest in the other band members and he had no idea at that time of how he might market Quatro. She spent a year living in a hotel while being nurtured by Most, developing her skills and maturing. Most later
said that the outcome was a reflection of her own personality.

Quatro's first single, "Rolling Stone", was successful only in Portugal, where it reached No. 1 on the charts. This was a solo effort, although aided by people such as Duncan Browne, Peter Frampton and Alan White. Subsequently,
with the approval of Most, she auditioned for a band to accompany her. It was also after this record that Most introduced her to the songwriting and production team of Nicky Chinn and Mike Chapman, who wrote songs
specifically to accord with her image. She agreed with Most's assessment of her image, saying that his influence, at which some of his artists – such as Jeff Beck and Rod Stewart – baulked, did not extend to manufacture
and that "If he tried to build me into a Lulu, I wouldn't have it. I'd say 'go to hell' and walk out." This was the height of the glam rock period of the 1970s and Quatro, who wore leather clothes, portrayed a wild, androgynous
image while playing music that "hinged mostly on a hard rock chug beneath lyrics in which scansion overruled meaning."

In 1972, Quatro embarked as a support act on a UK tour with Thin Lizzy and headliners Slade. Rak arranged for her to use Thin Lizzy's newly acquired PA system during this, incurring a charge of £300 per week that enabled
the Irish band to effectively purchase it at no cost to themselves. In May 1973, her second single "Can the Can" – which Philip Auslander describes as having "seemingly nonsensical and virtually unintelligible lyrics"
– was a No. 1 hit in parts of Europe and in Australia.

"Can the Can" was followed by three further hits: "48 Crash" (1973), "Daytona Demon" (1973) and "Devil Gate Drive" (1974). "Can the Can", "48 Crash" and "Devil Gate Drive" each sold over one million copies and were awarded gold discs.

Thanks to WikiPedia for this partial biography

Devil Gate Drive	Too Big
The Wild One	Keep A Knockin'

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